LFPulse.ar(SinOsc.kr(0.2, 0, 10, 21),, 0.1),ī.free // release it so it may be reallocated! buses can also be used with kr or ar like UGens:
You are responsible for making sure that the number of channels match and that there are no conflicts.īus objects should not be created or modified within a SynthDef.įrom extension in /usr/local/share/SuperCollider/SCClassLibrary/JITLib/ProxySpace/wrapForNodeProxy.sc. When using a Bus with an In or Out ugen there is nothing to stop you from reading to or writing from a larger range, or from hardcoding to a bus that has been allocated. abus.index simply returns the first of those indices. Note that using the Bus class to allocate a multichannel bus does not 'create' a multichannel bus, but rather simply reserves a series of adjacent bus indices with the bus' Server object's bus allocators. The number of control busses, audio busses, and input and output busses is fixed and cannot be changed after the server has been booted.įor more information see Client vs Server and Server Architecture. Manages allocation and deallocation of bus indices so that you don't need to worry about conflicts. Encapsulates all the OSC messages a Bus can receive. With a single push of a front panel switch, these custom USA made transformers are inserted into the audio’s path providing increased depth, tone and vibe!įor more information on this or any Warm Audio product, visit clientside representation of an audio or control bus on a server. One feature Warm Audiio are proud to boast is the BUS-COMP’s ability to have USA made CineMag transformers inserted into the signal path driven by fully discrete operational amplifiers. Re-creating legendary VCA compressor technology was the focus of the BUS-COMP’s design, however, adding options and improvements was just as important to us during its development. VCA compressors of this type have become widely loved for their ability to control dynamics effortlessly but also for the added tone and depth they provide to the audio signal that passes through them, even when no compression is applied.
The BUS-COMP is primarily designed for stereo use, but it can be used just as successfully on individual mono sources. The BUS-COMP will perform well on stereo mixes, drum mixes, drum overheads, acoustic guitars, keyboards, piano, orchestral instruments, voice-overs and an array of other sources. Stereo VCA compressors are masterful at controlling dynamics on many sources, but they have become widely known for their magic touch on stereo mixes. The Warm Audio BUS-COMP is an all-analog, 2-channel, stereo VCA compressor based on classic circuitry that has provided silky smooth tone for decades.
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